Monday, August 13, 2012
Random Olympic closing observations
In no particular order:
Whether you found the opening and closing ceremonies quirkily entertaining or insufferably pompous and my FBF's already know where I stand, the Brits did an amazingly good job.
Brit pop music rocks. It has from the '60's when I was a kid and still does. Continue to invade at will, lads and lasses.
I don't know how they did from a budgeting/profit/loss standpoint, but they pulled the games off without Chinese overkill and with no major delays, no scandals, NO TERRORISM and all in one of the world's largest, busiest, most diverse cities. Well done, London!
This (or something like it) is what Mitt Romney should have said, but we already know he's no statesman or spokesman for American anything. Whatever he was asked when he made his infamous comment, he should have realized that his job wasn't to consult as a former Olympic organizer, but as an American dignitary. The hubris of the man. Epic fail on his part. Mr. PM and Mr. Mayor of London--well-said sirs!
Sunday, August 5, 2012
The Dark Night of The Dark Knight
In answering critics who say that dark movies cause dark acts, movie industry apologists sound eerily similar to NRA apologists ....
by Rick Weiss (c) 2012 Trident Productions
As horrific as it is, the “The Dark Knight Rises” premiere massacre in Colorado is already fading from our “news-stream” mentality. Before it completely washes downstream, let’s throw a little keylight on two troubling, if related connections and see what we can learn from them, if anything.
We know from “Inception” that Chris Nolan can bend space and time and keep 4 or 5 different realities going simultaneously, but “The Dark Knight Rises” is even more ponderous, a kinda a big goofy allegorical soufflĂ©. It rises, but falls flat soon after leaving the oven. Good girls and bad girls trade places with reality-defying aplomb. Batman is masked. Unmasked. Masked again. He needs to conquer his fear. He needs to learn to fear again. He's rich. He's poor. He's rich again. He's dead. Alive. Dead again, then alive again. The Scarecrow sits in judgment on the rich. The film’s best line is left to Catwoman:
"There's a storm coming, Mr. Wayne," she purrs. "You and your friends better batten down the hatches. Because when it hits, you're all going to wonder how you ever thought you could ever live so large and leave so little for the rest of us."
by Rick Weiss (c) 2012 Trident Productions
As horrific as it is, the “The Dark Knight Rises” premiere massacre in Colorado is already fading from our “news-stream” mentality. Before it completely washes downstream, let’s throw a little keylight on two troubling, if related connections and see what we can learn from them, if anything.
We know from “Inception” that Chris Nolan can bend space and time and keep 4 or 5 different realities going simultaneously, but “The Dark Knight Rises” is even more ponderous, a kinda a big goofy allegorical soufflĂ©. It rises, but falls flat soon after leaving the oven. Good girls and bad girls trade places with reality-defying aplomb. Batman is masked. Unmasked. Masked again. He needs to conquer his fear. He needs to learn to fear again. He's rich. He's poor. He's rich again. He's dead. Alive. Dead again, then alive again. The Scarecrow sits in judgment on the rich. The film’s best line is left to Catwoman:
"There's a storm coming, Mr. Wayne," she purrs. "You and your friends better batten down the hatches. Because when it hits, you're all going to wonder how you ever thought you could ever live so large and leave so little for the rest of us."
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